Boston The title of this exuberant exhibition…see the full review in October’s magazine.
Joe Chirchirillo
Salem, New York Joe Chirchirillo’s large-scale, kinetic water
Being There and Letting Go: A Conversation with Lincoln Schatz
Portraiture of all varieties is hot in the current art market. Just as traditional portraiture risks superannuation by alternative approaches like Facebook and Second Life, Chicago-based Lincoln Schatz is charting new ground. His interactive video portraits fuse likeness and identity with character probing and perpetual change.
Nathan Slate Joseph: Pure Pigment, Constructed Form
Pigment has played an important, if often overlooked, role in the history of sculpture. Ancient sculptures were once brightly colored, but weathering soon eroded almost all of their painted surfaces. Many medieval sculptures were stripped of paint in the 19th and 20th centuries, when most critics considered polychromy in sculpture to be unacceptable.
“Sculptors Drawing”
Aspen, Colorado “Sculptors Drawing” featured the drawings of nine…see the full review in September‘s magazine.
Melbourne: Alive with Sculpture
Only those Melbournians with long memories will be fully aware of the dramatic changes that have occurred in the field of sculpture here. Once a place of limited activity, Melbourne is now vibrantly alive with sculptural events.
Lucy Slivinski
Chicago Lucy Slivinski’s materials consist of wire frameworks…see the full review in September‘s magazine.
Spencer Finch
North Adams, Massachusetts Just as Warhol aestheticized the supermarket with…see the full review in September‘s magazine.
Geoffrey Bartlett: Neither Easy, Nor Complacent
Unquestionably one of Australia’s leading sculptors, Geoffrey Bartlett was recently honored by a major survey exhibition at the National Gallery of Victoria, in Melbourne. Using an astonishingly diverse range of materials, he has evolved a highly personal style—a style that has continued to develop from his early student works of the late 1970s, when he
