Every day thousands of people pass by one of the most historically and aesthetically significant monuments of 19th-century sculpture without any knowledge of its existence. Even among art-interested people, few if any have heard of Vincenzo Vela, the artist responsible for Victims of Labor, this curiously invisible monument, which stands at the southern entrance to
Susan Robb
Seattle Seattle artist Susan Robb recently heated things up…see the full review in Jan/Feb’s magazine.
Sculpture at Evergreen 2008
Baltimore The Evergreen Museum & Library is a cultural…see the full review in January/February’s magazine.
Rune Olsen: Revising Natural and Sculptural History
Rune Olsen’s beautifully composed, often shocking, masking tape-covered sculptures are some of the most visually seductive and physically intriguing figurative works being produced today. His three-dimensional tableaux, representing man and beast in various positions of sexual dominance and compliance, interweave personal narrative with mind-expanding revelations about natural science.
Yong Ho Ji and Hyungkoo Lee
New York Two Korean artists raise questions about the relationship…see the full review in January/February’s magazine.
Anish Kapoor
Boston Some years ago, in a survey of installation…see the full review in January/February’s magazine.
Robert Arneson in the ’60s
The early sculpture of Robert Arneson was the very essence of Funk, a term disdained by most of the artists. But the maker of these irreverent, sarcastic ceramics was indeed the King of Funk. Funk has been compared to Dada, but Dada assaulted traditional art by attacking hypocritical bourgeois values, whereas Funk was not engaged
Rebecca Horn
New York The works in “Cosmic Maps,” Rebecca Horn’s…see the full review in January/February’s magazine.
