Toronto Kai Chan’s sculptures are his antidote to our frenetic…see the full review in March’s magazine.
“West Edge Sculpture” and “MadArt”
Seattle Two sculpture exhibitions in urban settings, “West Edge Sculpture” and…see the full review in March’s magazine.
The Art Guys
Houston The Art Guys, Jack Massing and Michael Galbreth, have worked…see the full review in March’s magazine.
Thomas Macaulay
Cincinnati The Weston Gallery’s daunting street-level space has seldom been…see the full review in March’s magazine.
Don Porcaro
New York A longtime New Yorker, Don Porcaro has been active as…see the full review in March’s magazine.
Charles Jones
Boston A 12-foot-tall, butterscotch-colored leather sculpture cleverly crosses an…see the full review in March’s magazine.
Martijn van Wagtendonk
Atlanta Martijn van Wagtendonk’s Trickle Into a Lower Chamber reaches…see the full review in March’s magazine.
“Human/Nature”
Berkeley The artists in “Human/Nature” projected ecological concerns into…see the full review in March’s magazine.
Collecting Specimens: A Conversation with Lynn Aldrich
Lynn Aldrich’s newest art-material treasure trove is Home Depot. There, she follows in the footsteps of the seminal bricoleur artist, Marcel Duchamp, scouting for manufactured objects that she subsequently hand-fabricates into sculptures. Transforming the known into something curious, intriguing, and unexpected, her newest sculptures convert drainage spouts into tree monsters reminiscent of German fairy tales
Doubt and Other Serious Matters: A Conversation with Daphne Wright
Daphne Wright’s work maneuvers things into what her biographical statement calls “well-wrought but delicate doubt.” Shifting between “taughtness and mess,” it sets “imagery, materials, and language in constant metaphorical motion.” Using a wide range of materials and techniques—plaster, tin foil, video, printmaking, found objects, and performance—she creates beautiful and rather eerie worlds that feel like
