New York For some time now, Jaume Plensa has been making…see the full review in June’s magazine.
Tobias Putrih and MOS
Cambridge, Massachusetts ln one corner of the List’s main gallery, a stack of…see the full review in June’s magazine.
Leslie Wilcox
Boston A faint pencil drawing of a wide trapezoid topped…see the full review in June’s magazine.
Joseph Goto
Chicago Some artists have abrasive personalities that limit their impact and…see the full review in June’s magazine.
Laure Drogoul
Baltimore Laure Drogoul’s 25-year retrospective “Follies, Predicaments and Other Conundrums” engaged…see the full review in June’s magazine.
Margaret Boozer
Washington, DC For her recent show, sculptor and ceramicist Margaret Boozer covered…see the full review in June’s magazine.
Ilan Averbuch: Between the Intimate and the Monumental
Every art form conveys a specific sense of human nature, and there is a bond between sculpture and the surging sensation of monumentality, of our belief in our own grandeur. But the monumental does not merely, perhaps not even primarily, demarcate human pride, the feeling of our importance to a universe that needs to be
Greg Johns: Acknowledging the Land
For many artists, their most recent work is the most important; past production fades in significance. Not so with Greg Johns. In spite of basic changes in style over the course of his career, he is quite prepared to return to and develop earlier concepts.
Disappearing into Your Work: A Conversation with Mai-Thu Perret
For nearly a decade, Mai-Thu Perret has created a variety of works that stem from The Crystal Frontier, a fictional narrative revolving around the members of a feminist commune in the New Mexico desert. Although she splits her time between Geneva and New York, the desert provides the perfect blank slate for her utopian ideal.
