SANTA BARBARA Cabana Home At the core of Brad Miller’s unusually diverse work—ceramic vessels, “burn” paintings, site-specific installations—there is a principle shared by set theory, blastocoels (early dividing embryos), electron dispersions, computer programming, compositional aesthetics, and political economies.
Matt Hoyt
NEW YORK Bureau Matt Hoyt recently presented an inspired, albeit somewhat quizzical show of very, very small sculptures, arranged on shelves in Bureau’s diminutive Lower East Side space. These small wonders are striking in their specificity of form, repaying Hoyt’s considerable investment of time and labor.
“Tool Use”
DUBLIN Oonagh Young Gallery “Tool-Use” provoked surprise, dismay, and disorientation. Though modestly scaled objects clung to the gallery walls and occupied the floor, the space felt bereft of material content, hollowed out somehow, more unoccupied than if it were empty.
Hauntings: Susan Hiller
A pioneer of multimedia installation art in the 1980s, Susan Hiller went on to create a complex body of work that subverts our understanding of reality, offering an intellectual investigation into the darkest recesses of the human imagination.
From the Dirt: Corin Hewitt
Since 2007 Corin Hewitt has produced a series of evolving works that blend sculpture, photography, and performance. The most recent of these appeared at the Laurel Gitlin Gallery in New York last year, and a new iteration is scheduled to open at the Cleveland Museum of Contemporary Art in January 2013.
Michael Combs
NEW YORK Salomon Contemporary “Be All You Can’t Be,” Michael Combs’s first solo exhibition in New York, featured a white elephant in the middle of the room. Standing atop a delicate, hand-carved pillow, the creature (cast from a rubber toy, then enhanced to resemble a charging bull), is small in size but symbolically huge.
Between Fun and Desperation: Erwin Wurm
Since the 1980s, Austrian artist Erwin Wurm has worked to expand traditional notions of sculpture. Through his “one-minute sculptures,” which document conceptual performances in films and photographs, he invites viewers to realize that actions are more important than objects.
Andre Woodward: A Living Thing Shouldn’t Be There
Andre Woodward finds strange beauty in unexpected places. A beaten-up piece of asphalt raised on wheels and sprouting a small, frail tree becomes a grim urban landscape, mutated for speed. Blocks of concrete ordered in symmetrical grids or dispersed in random configurations miraculously burst with life, pierced by small trees that inject the irrepressible vitality
Delivering to the Moment: Manon Awst and Benjamin Walther
Manon Awst and Benjamin Walther create collaborative sculptures, performances, and paintings that combine ephemeral materials such as ice, grapes, and gelatin with plaster, metal, gold, and other materials. The husband-and-wife team take inspiration from their individual backgrounds in theater and architecture.
