NEW YORK Haunch of Venison Chiharu Shiota’s sculptures and installations use basic materials—glass windows, black thread, found objects such as a violin or a child’s dress—in highly innovative ways. Born in Japan, now based in Berlin, Shiota makes use of an international language of contemporary art, one which serves to poetically enclose information about objects whose history can be felt if not touched.
Artistic and Social Renewal: A Conversation with Piero Gilardi
Piero Gilardi began his artistic activity in the 1960s and participated in the birth of Arte Povera. After achieving fame in the 1970s, he turned away from the art world and began investigating the phenomenon of collective and spontaneous creativity in various social contexts.
Richard Van Buren
NEW YORK Gary Snyder Gallery Two mid-size rooms barely contained the luminous effect generated by Richard Van Buren’s new wall and floor sculptures. Spaciously displayed, the sinuous, winding forms all delighted the eye like brightly colored jewels and enticed with highly ornate surfaces coated in an array of delicate hues studded with shells.
John Chamberlain
NEW YORK Solomon R. Guggenheim Museum Freestanding sculptures and wall pieces by John Chamberlain filled the Guggenheim Museum’s four floors last spring, offering viewers a posthumous survey of the artist’s crumpled steel and crushed metal sculptures from the past 40 years. His unique approach to sculpture began in 1957, when he took material from an antique car belonging to Larry Rivers and drove over it, as he told Julie Sylvester in a 1991 interview published in a Pace Gallery catalogue.
Nancy Selvage
BOSTON Boston Sculptors Gallery The retinal dazzle of Op Art came and went decades ago—as with many fads, it caught the eye, and then there seemed little more to say. But here it is again, mobile and in three dimensions, in the metal work of Nancy Selvage. This time, it appears to have many more possibilities.
Laura Santini
MONTREAL McCord Museum Laura Santini’s recent installation, sited within an exhibition of Innu art, consisted of a polar bear made from oyster shells collected at Montreal seafood restaurants. The project began modestly enough as Santini brought home a bag or two from each restaurant visit.
Vibha Galhotra: Hidden in Plain Sight
Vibha Galhotra’s first exhibition at Jack Shainman Gallery began dramatically with Neo Camouflage (2008), an installation in which four mannequins dressed in military garb stood guard before a large photo mural of Old Delhi rooftops. The panoramic vista, seen from a tower of the Jama Masjid mosque (the city’s highest spot), casts a god-like omnipresence
Bharti Kher
NEW YORK Hauser & Wirth Born in London, living in Delhi for 20 years, Bharti Kher creates powerful conceptual works that draw on different aspects of her personal experience. Often multivalent in presentation, her symbolic, sometimes allegorical sculptures incorporate old and new themes, enlarging myth and legend through visual tropes that engage our freer speculations.
Turning Dross to Gold: Zeke Moores
Zeke Moores’s work interrogates the mass-produced object and the hand-crafted work of art. Focusing on the detritus of contemporary life, he replicates dumpsters, cardboard boxes, wooden pallets, pylons, and the leftovers of our modern industrial society in materials that challenge and confound how we assign value and gauge aesthetic beauty.
Micah Lexier and Kelly Mark
OSHAWA, CANADA Robert McLaughlin Gallery Words, numbers, and signatures—the hallmarks of the art world as it is measured—formed the conceptual basis of this show pairing works by two Nova Scotia College of Art and Design graduates. Like the two television screens that face each other in The Kiss (Light Box) (2009), Micah Lexier and Kelly Mark are conceptual artists who complement each other brilliantly.
