Benjamin Bellas

Chicago slow A church pew and cold beer greeted visitors at the entrance of Benjamin Bellas’s recent show. The beer was a basil ale, brewed specially by the artist, and the pew was Protestant, moved hundreds of miles from a small-town chapel to this storefront gallery in Chicago.

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Drew Conrad

New York Fitzroy Gallery In “Ain’t Dead Yet,” Drew Conrad’s iconography of turned wood, Victorian printed wallpaper, and LP record albums evoked an indeterminate past. Indicative of prewar architecture, wood lath and plaster become vehicles for sculptural communication, especially as Conrad strategically clusters, exposes, and breaks them down.

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