Douglas Hollis’s three San Francisco studio spaces reflect the dimensions of his increasingly complex, collaborative public art. A square room dominated by computer monitors could be an architect’s office. The small downstairs shop is neatly gridded with what used to be familiar hand tools.
Crystal Schenk
MCMINNVILLE, OREGON Linfield Gallery Crystal Schenk’s installation Artifacts of Memory started off as a vague image in her mind connected to the loss and longing that she experienced after her mother’s suicide. She captured these qualities by creating a circular field of magnets, one set hung from the ceiling and the other tethered to the floor using nearly invisible wire.
Jared Steffensen
EPHRAIM, UTAH Central Utah Art Center Jared Steffensen’s solo exhibition, “Mom’s always afraid I am going to hurt myself…I usually do,” was at once blithe and sophisticated, sparking an unexpected (and even overlapping) dialogue between skateboarding and formalism.
“Antico: The Golden Age of Renaissance Bronzes”
WASHINGTON, DC National Gallery of Art An exquisite touring exhibition of small Renaissance bronzes by the sculptor known as Antico shows that strategies of appropriation and serialization, often considered to have originated in the 20th century, have an illustrious and much longer history.
Color as Material: A Conversation with Tilman
Tilman is definitely an artist’s artist. I first encountered his two-dimensional, non-objective work about 10 years ago while staying at the Center for Contemporary Non-Objective Art (CCNOA) in Brussels, where he was the artistic director. I grew quite fond of his “Tilman sandwiches”—layered horizontal stacks of painted materials that began his shift toward objects.
“Nature, Man, and Sound”
GONGJU, SOUTH KOREA 5th Geumgang Nature Art Biennale The 5th Geumgang Nature Art Biennale, which took “Nature, Man, and Sound” as its theme, was organized by Yatoo, a group that has been in existence since the early 1980s. The mix of work was international, with strong Korean representation, ranging from conceptual to Land Art-ish, purely sculptural, and sound sculptures—all seeking integration within their environment.
Lyndal Osborne and Sherri Chaba
SHERWOOD PARK, ALBERTA, CANADA Strathcona County Art Gallery Two Alberta artists, Lyndal Osborne and Sherri Chaba, recently mounted an exhibition that addressed a range of environmental issues, including genetic diversity and loss of farmland, while focusing on the tar sands controversy and oil industry discards: tailings ponds.
Robert Lobe: Nature as Effigy
The New York City Department of Parks and Recreation’s public art program has consistently fostered the creation and installation of temporary public art throughout the five boroughs. Robert Lobe recently joined a long list of distinguished artists who have exhibited in Brooklyn’s Prospect Park, among them, Roxy Paine and Mark di Suvero.
A Conversation with Zimoun: With and Between Contradictions
Zimoun combines ordinary objects (including cardboard boxes, plastic bags, and old furniture) with mechanical components (such as dc-motors, wires, microphones, speakers, and ventilators) to create extraordinary hybrid sculptures that fuse the normative order of generative systems with the disorder of random events.
Ghosts of Things: A Conversation with Diana Al-Hadid
Diana Al-Hadid was born in Aleppo, Syria, spent most of her childhood in Ohio, and lives and works in Brooklyn, New York. Her most recent work draws inspiration from sources as varied as Renaissance tapestries, with their unusual spatial tensions, Jacopo Pontormo’s strange fresco of the Visitation in the atrium of SS.
