Satpreet Kahlon

BELLEVUE, WASHINGTON Bellevue Arts MuseumWith a muffled soundtrack of poetry and music running through the darkened space, Kahlon’s exhibition became a total experience, immersing the viewer in an unsettling, unstable place, a site of exodus and arrival, captured in random flashpoints.

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Sarah Lucas

LONDON Tate Britain Two monumental cast concrete marrows, Florian and Kevin (both 2013), greet visitors at the entrance to Tate Britain. These blatantly phallic forms are a fitting precursor to “Happy Gas,” an exuberant, if irreverent, survey of Sarah Lucas’s practice over four decades.

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Anne Wu

BROOKLYN Smack Mellon Descendants of Bauhaus or De Stijl interiors, Wu’s sculptures assert bright, clean lines and use commonplace industrial materials. They evoke Fred Sandback’s 1999 description of his geometric yarn sculptures as “drawing that is habitable” and prompt associations or recollections.

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