New York
Stux Gallery
Bulgarian-born Kosyo Minchev creates works that are incisive in their commentary, wit, material cognizance, and unpretentious formality. His sculptures reach out somewhere between aesthetics and politics, or, better put, they implant politics within aesthetics. Working from the premise of a three-dimensional tactility through concealment, Minchev also proceeds to address the virtual, or at least the presence of the virtual, as a ruse for continuing his understated visionary exploration. …see the entire review in the print version of December’s Sculpture magazine.
