June Crespo’s sculptures make use of the wall and ceiling as much as the floor. They jut, protrude, hang, and, at one point in “their weft, the grass” (2024), her recent show at 1646 Experimental Art Space in The Hague, they penetrate. Focused on material transformation and dissonance, the work of this Basque artist accumulates folds and layers, closures and openings, colors and textures. Above all, diverse materials combine into new formulations in which matter converses with the body through suggestive and sometimes anthropomorphic forms. . .
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