Earlier this year, I sat down with my longtime friend Sir Anthony Caro in his London studio. The idea was simple: Would it be interesting to generate a conversation between two sculptors whose work is very different, but who share many common influences? In some ways, our discussion was simply an extension of an ongoing dialogue that has lasted for more than three decades, ranging across many topics, from studio practice and artistic process to our shared connection with Bennington College in Vermont... see the entire article in the print version of July/August’s Sculpture magazine.
