Anthony Caro (b. 1924), one of the world’s greatest sculptors, first achieved widespread recognition in the 1960s by revolutionizing accepted sculptural concepts. Although he is best known for his large-scale abstract works in steel, his more recent sculptural language has evolved into powerful installations of numerous components, as seen in works like The Barbarians and The Last Judgement. A visit to his extensive studio complex in London reveals an astonishing array of works at various stages of execution, including a major commission for the Church of Saint Jean-Baptiste in Bourbourg, France, due for completion in 2008.