New York Luhring Augustine Gallery Allow me to spread my cards on the table. I consider Reinhard Mucha to be among our most impressive contemporary sculptors. I first encountered one of his works about 30 years ago, and that experience has stayed with me ever since—despite seeing truckloads of contemporary art and the fact that
Blane De St. Croix and Elizabeth Keithline
The Blue Star Contemporary Art Museum recently paired two sculptors, Blane De St. Croix and Elizabeth Keithline, reinvigorating two tired genres—landscape painting and figurative sculpture. Seven feet tall, about two feet wide, and more than 80 feet long, De St.
Franz Erhard Walther
New York Peter Freeman, Inc. I first discovered Franz Erhard Walther’s work in a copy of Avalanche magazine at a newsstand in Harvard Square in 1972. Black and white photographs of Werksatz (1963–69) revealed his use of fabric as a medium to make sculpture.
Peter Buggenhout
New York Gladstone Gallery Peter Buggenhout’s recent show, “Caterpillar Logic II,” acknowledged the process that transforms a homely creature into a delicate, beautiful butterfly. An equally striking, if not conventionally beautiful transition occurs in these works—two very large sculptures that, in their complexity, weight, and size, border on installation.
Florida Sarasota Season of Sculpture 2014
Sarasota Season VII Every two years, the Sarasota Season of Sculpture, headed by Susan McLeod, installs sculptures on Bayfront Drive between the attractive waterfront walkway and the busy Tamiami Trail. This year, curators Fayanne Hayes and Andrew Maass selected 18 sculptures by eight artists; one sculptor had as many as six pieces included, others were
“Other Primary Structures”
New York The Jewish Museum In 1966, Kynaston McShine presented “Primary Structures: Younger American and British Sculptors” at the Jewish Museum. The show introduced barely known artists, including Donald Judd, Carl Andre, and Sol LeWitt, who worked in a pared-down visual language soon dubbed Minimalism.
Eli Bornstein
Saskatoon and Winnipeg, Canada Mendel Art Gallery and the School of Art Gallery, University of Manitoba Perception lies at the heart of Eli Bornstein’s 60-year career, spent in unwavering fidelity to the trinity of color, light, and structure.
Susan Philipsz
Dusseldorf Kunstsammlung Nordrhein-Westfalen, K21 Standhaus Fraught chords and choked notes from unseen instruments fill three galleries. In two of the spaces, recorded string sounds emerge from black electronic speakers mounted in a serpentine line across a long white wall, while a floor-level speaker offers unexpected horn noises.
