NEW YORK Leo Castelli Gallery Morris’s final exhibition, “Banners and Curses,” his 40th at the Leo Castelli Gallery, opened in late October, just weeks before his death, at age 87, from pneumonia. This final gesture, an urgent wake-up call, aligns Morris’s darkly expansive vision with a contemporary moment commensurate with its prophetic and sublime cynicism.
Rena Detrixhe
BOSTON Abigail Ogilvy Gallery Detrixhe begins with a drawing, then incises her relief-like design into the soil with hand-carved stamps made from discarded shoe soles.
“Artists In Residence”
PITTSBURGH, PENNSYLVANIA The Mattress Factory Relationships across body, space, and time unite these new works by William Earl Kofmehl III, Laleh Mehran, OSGEMEOS (Gustavo and Otavio Pandolfo), Karina Smigla-Bobinski, and Christina A. West.
Perla Krauze and Barbara Liotta
WASHINGTON, DC Mexican Cultural Institute Krauze and Liotta offer a different take on the pursuit of uncluttered intentionality that is at once rooted in the sensual exploration of stone and a need for order. While aspects of Land Art and Minimalism inspire both artists, Krauze engages viscerally with the land and the materiality of stone, traveling to the border to gather shards.
Monica Cook
SAVANNAH, GEORGIA SCAD Museum of Art Nurture, fragility, and protection have always been prominent themes for Brooklyn-based Monica Cook. Using a variety of media, her work often explores these subjects within the human context, through gestures like feeding and grooming.
Tania Bruguera
LONDON Tate Modern Thanks to a series of experiential interventions by Cuban artist and activist Tania Bruguera, a street fair atmosphere recently took hold of Tate Modern’s cavernous Turbine Hall. In the central space, children performed cartwheels and people pressed limbs to a heat-sensitive floor, watching delightedly as ghostly imprints surfaced.
Adriana Carvalho
MIAMI Miami International Airport On Concourse E, mia Central Gallery recently installed “Objet petit a,” which served as a mini-retrospective of Adriana Carvalho’s three-dimensional pieces.
Jack Whitten
NEW YORK The Met Breuer Whitten’s work richly demonstrates the notion that whatever escapes restrictions escapes categorization. Unfortunately, what escapes categorization can also escape detection.
Analia Saban
NEW YORK Tanya Bonakdar Gallery Process matters to Analia Saban. It’s in the DNA of everything she creates, inseparable from the concept germinating a specific piece and embedded in larger, evolving bodies of work.
Dispatch: Keith Sonnier
Parrish Art Museum, Dan Flavin Art Institute, and Tripoli Gallery Although celebrated in Europe, Sonnier has not had a major American museum exhibition before last year’s “Until Today” at the Parrish Art Museum in Water Mill, New York. This retrospective, organized by Terrie Sultan, director of the Parrish, and guest curator Jeffrey Grove, showcased 39 pieces from 1967 through the present, providing a broad context for works displayed concurrently at the Dan Flavin Art Institute in Bridgehampton and Southhampton’s Tripoli Gallery.
