Seattle Bryan Ohno Gallery For his West Coast solo debut at Bryan 0hno Gallery, Ray Parish showed 16 sculptures dating from 1986 to the present… see the print version for the full review.
Jackie Winsor
Long Island City, NY PS.1 Contemporary Art Center One of the many exhibitions put together for the re-opening of PS.1, Jackie Winsor’s show offers a survey of three decades of this Post-Minimalist’s work… see the print version for the full review.
Joel Shapiro
Andover, MA Addison Gallery of American Art Presented in two parts, this exhibition, mostly drawn from Shapiros or his family’s collection… see the print version for the full review.
Tara Donovan
Washington, D.C. Hemphill Fine Arts Starting from scratch with mass-produced but devalued materials like toothpicks, balloons, and tar paper… see the print version for the full review.
“From Here”
Washington, D.C. Baumgartner Galleries, lnc. For this sculpture and installation exhibition, Baumgartner Galleries and critic Chris Gilbert focused on three relative newcomers… see the print version for the full review.
Betye Saar
Los Angeles California African-American Museum Betye Saars new works, rendered in pitch-perfect color harmonies that recall the quiet splendor of a Death Valley sunset… see the print version for the full review.
Tom Butter
New York Curt Marcus Gallery Tom Butter is attracted to simple, everyday things… see the print version to read the full review.
Jene Highstein
New York Stark Gallery Jene Highstein is not a Minimalist, though the simplicity of his work suggests that movement. Since his early pipe installations in the alternative space 112 Greene Street, he has worked in various materials including plaster, concrete, wood, stone, and cast metals.
Larry Bell
Los Angeles Kivo Hiqashi Gallery In a recent exhibition by the seminal Light and Space artist Larry Bell, two similar room-sized glass wall installation works were featured along with a maquette and several monoprint collages. Bell began setting large glass sheets into geometric configurations in the late 1960s, segueing from pedestal sculptures to largescale installations.
