Mia Westerlund Roosen

New York Lennon, Weinberg Mia Westerlund Roosen has long been a subtle maverick in the art world. Her work never fails to challenge the prevailing aesthetic but does so quietly and with extraordinary elegance… see the print edition of May 1999’s Sculpture magazine for the full review.

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Paul Bowen

Boston Howard Yezerski Gallery, New England School of Art & Design, and Chestnut Hill Mall Paul Bowen began his career as a painter of the Beuysian school of gritty, unconventional materials and process-induced results… see the print edition of May 1999’s Sculpture magazine for the full review.

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Lucy Gunning

New York Green Naftali London-based Lucy Gunning’s works employ video to investigate sculptural issues (such as spatial extension and temporal contingency) with installation structures thematically oriented to questions of language… for the full review see the print edition of May 1999’s Sculpture magazine.

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Holly Zausner

New York Caren Golden The body has always been Holly Zausner’s tool. ln her exhibitions of the last few years, this midcareer sculptor created an effigy of herself, a mutable logo, a meditative, comic, elongated Gumby figure… for the full review see the print edition of May 1999’s Sculpture magazine.

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Dispatch: Hearing the Noise: Revolution

Liverpool International Symposium on Electronic Art (isea98) Luke Jerram, Retinal Memory Volume, 1997. View of installation. Liverpool and Manchester, the cradles of the Industrial Revolution, experienced yet another upheaval last fall, the Ninth International Symposium on Electronic Art.

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David Nash

New York Galerie Lelong ln 1968, at the age at 22 and shortly after finishing art school in London, David Nash bought a chapel and attached schoolhouse in Blaenau Ffestiniog, North Wales… see the full review in the print edition of May 1999’s Sculpture magazine.

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Brent Crothers

Baltimore Galerie Francoise, E.S.F. Brent Crothers’s recent show heralded new ways of expressing his love of wood by combining the material with copper, aluminum, and rubber… for the full review see the print edition of May 1999’s Sculpture magazine.

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