BOSTON Boston Sculptors Launchpad Gallery In “Between Uncertainty,” Roberley Bell’s current exhibition (on view through July 2, 2021), floral wallpaper covers a corner of the gallery. Still Life with Table plays off the floral theme perfectly. Fanciful and provocative, the white wood and pink foam sculpture rises like a flowering bonsai with its twisted root base and puff top.
Oren Pinhassi
LONDON Edel Assanti and St Cyprian’s Clarence Gate The anthropomorphic sculptures of Israel-born, New York-based Oren Pinhassi hold up a strange, disconcerting mirror to humanity. Though vaguely like us in appearance, their forms call to mind structures built for specific functions. If a voting booth or a urinal, for instance, were to mate with a human, this is what their offspring might look like.
Coral Lambert
MINNEAPOLIS NE Sculpture Gallery|Factory Equal parts grit and fantasy, “Alternate Worlds” (on view through June 12, 2021) is Coral Lambert’s response to life in the time of a pandemic. The show consists of recent cast iron and bronze sculptures, photographs, prints, and a video projection that collectively function in the seemingly liminal space between “twilight and dreams.”
Rafael Domenech
BEIJING Hua International Cuban-American artist Rafael Domenech contends that exhibition-making is an expanded form of publishing, an active site of production. His current exhibition, “Imperfect Fragments of an Uncertain Whole” (on view through June 18, 2021), presents a multipart installation consisting of a table, handmade artist books, mobile light sculptures, and ceiling tiles, all made between 2018 and 2021, as well as a large outdoor sculpture in a nearby public square.
Andy Moerlein
BOSTON Boston Sculptors Gallery To walk into Andy Moerlein’s “wood stone poem” (on view through June 6, 2021) is to enter a magical space, filled with fanciful and ecstatic forms stretching out in welcome. A three-foot-tall, 60-year-old Ficus retusa bonsai from Taiwan at the entrance to the exhibition offers a clue to Moerlein’s recent explorations, which continue his longtime interest in Asian art and poetry.
Theaster Gates
NEW YORK Gagosian For Theaster Gates, the gallery operates not as a place for pleasurable viewing but as a performative space of social practice focused on cultural recuperation and empowerment.
Kapwani Kiwanga
ROTTERDAM Kunstinstituut Melly Kapwani Kiwanga’s recent exhibition featured three installations and a hanging cloth work—all addressing strategies of resistance, from historical slavery to the American civil rights era, to today’s anti-racist movements and demonstrations. Botany played an unexpected, and key, role in all but one of these new works, as Kiwanga drew out the histories of various plants smuggled into America by enslaved Africans.
Beverly Fishman
NEW YORK Miles McEnery Gallery The untitled sculptures and reliefs in Beverly Fishman’s recent show, “I Dream of Sleep,” hide dark subject matter behind attractive appearances.
Desert X 2021
COACHELLA VALLEY, CALIFORNIA Desert X 2021, on view through May 16, 2021, is the third edition of a biennial site-specific sculpture exhibition “explore[ing] the desert as both a place and idea.” The arid Coachella Valley in Riverside County, southern California, includes the winter resort city of Palm Springs and several other, smaller communities.
Casey Curran
SEATTLE MadArt Seattle-based Casey Curran creates carefully crafted kinetic sculptures and environments that question basic human drives (innovation and discovery) and assumptions (progress), along with their effects and legacies. His new exhibition at MadArt, a studio residency program in the heart of South Lake Union, Seattle’s tech quarter, echoes the mushrooming skyline of the neighborhood (with more than 60 new buildings in 10 years), but with a twist.
