NEW YORK Miles McEnery Gallery The untitled sculptures and reliefs in Beverly Fishman’s recent show, “I Dream of Sleep,” hide dark subject matter behind attractive appearances.
Desert X 2021
COACHELLA VALLEY, CALIFORNIA Desert X 2021, on view through May 16, 2021, is the third edition of a biennial site-specific sculpture exhibition “explore[ing] the desert as both a place and idea.” The arid Coachella Valley in Riverside County, southern California, includes the winter resort city of Palm Springs and several other, smaller communities.
Casey Curran
SEATTLE MadArt Seattle-based Casey Curran creates carefully crafted kinetic sculptures and environments that question basic human drives (innovation and discovery) and assumptions (progress), along with their effects and legacies. His new exhibition at MadArt, a studio residency program in the heart of South Lake Union, Seattle’s tech quarter, echoes the mushrooming skyline of the neighborhood (with more than 60 new buildings in 10 years), but with a twist.
Frank Stella
RIDGEFIELD, CONNECTICUT Aldrich Contemporary Art Museum “My art is about building things,” Frank Stella told Alina Cohen in an Artsy conversation about his 2019 Marianne Boesky Gallery solo show, which included Jasper’s Split Star and Nessus and Dejanira—two of the star sculptures currently on view (through May 9, 2021) at the Aldrich Contemporary Art Museum.
Joaquín Orellana
NEW YORK Americas Society “The Spine of Music,” an intriguing, spirited exhibition of works by 90-year-old Guatemalan artist and musician Joaquín Orellana (on view through April 24, 2021), features a selection of his handmade percussive instruments—which visitors may play—as well as works by other artists acquainted with his practice.
Haegue Yang
ST IVES, CORNWALL, U.K. Tate St Ives The day I visited Tate St Ives to see “Strange Attractors” (on view through September 26, 2021), nature seemed perfectly aligned with Haegue Yang’s vision—charcoal clouds scowled across the sky as Atlantic rollers thundered deafeningly onto the beach below.
Shinichi Sawada
NEW YORK Venus Over Manhattan Shinichi Sawada’s dynamic, wood-fired ceramic sculptures teem with energy. In this show—the first U.S. presentation of works by the self-taught, 38-year-old artist, who is based in Shiga, Japan—a few dozen figures arranged on two long tables form a modern-day bestiary of creatures drawn from Japanese mythology and reality.
Alexandre da Cunha
NAPLES, ITALY Thomas Dane Gallery Alexandre da Cunha works in the tradition of the readymade, creating elegant sculptures from cheap and disposable everyday objects (such as mops) that he selects as much for their formal qualities as for their references to labor.
Betye Saar
NEW YORK The Morgan Library & Museum Each finished work in the exhibition is accompanied by pages from Saar’s working sketchbooks—these pairings open a fascinating window onto Saar’s process, illuminating what she calls “the mysterious transformation of object into art.”
Isabelle Albuquerque
LOS ANGELES Nicodim Gallery All fantasy, all good theater, requires some suspension of disbelief, a surrender to the moment. Total acceptance of what lies before us is what gives works of art their undeniable power. Isabelle Albuquerque’s work induces that suspension of disbelief, conjuring meaning from metaphor, innuendo, and metamorphosis.
