Santa Monica, California Greenfield Gallery Guy Dill, Venice Angel, 2002. Bronze, 144 x 44 x 44 in While the works in Guy Dill’s recent exhibition extend his familiar explorations of non-objective sculptural form, they intriguingly hint of the similes that exist between non-objective, abstract, and representational modes of art.
“Paradise/Paradox”
New Rochelle, NY This sprawling, contentious exhibition, curated…see the full review in March’s magazine.
Richard Humann
New York As Richard Humann pushes sculpture into…see the full review in March’s magazine.
Elie Nadelman
New York Elie Nadelman’s streamlined sense of form…see the full review in March’s magazine.
“New Slang”
New York This group show included works by…see the full review in March’s magazine.
Maria Novella Del Signore
Florence, Italy “Popper spoke about the physics”…see the full review in March’s magazine.
Bill Klaila
Minneapolis The Minneapolis Institute of Arts, The Minnesota Artists Exhibition Gallery For those inclined to dicker about whether or not a gallery installation is sculpture, Bill Klaila’s Grotto: An Alternative Reality would be a source for energetic discussion.
Absolut L.A. International Biennial Art Invitational 2003
Los Angeles Inaugurated in 1993 to foster rapport between Los Angeles and the international art world, the L.A. International Biennial recently celebrated its sixth season. The exhibits profiled over 200 artists from North and South America, Australia, Asia, Africa, and Europe, and nearly a quarter showcased sculptures or installations.
Dispatch: “Perfection/Impermanence: Contemporary Ikebana”
The Western concept of “art” has long…see the full review in March’s magazine.
Rebecca Welz
New York June Kelly The luminous constructions of Rebecca Welz appear to have been made both by nature and by hand. Composed of folded sheets of Plexiglas, the sculptures translucently glow as light passes through them.
