COLUMBUS, OHIO Columbus Museum of Art Former Cranbrook Academy of Art sculptor-in-residence Michael Hall has challenged art world conventions for more than four decades. Though he has created a significant body of work during that time, his efforts as a critic, curator, and collector have been arguably more influential.
China Blue
NEWPORT, RHODE ISLAND Newport Art Museum Over the last 10 years, sound has established itself on solid footing, solid enough to be considered seriously by museums and critics as another form of sculpture. During this same period, China Blue, a forerunner in the so-called contemporary sound art movement, began to think about scientifically mining this territory in the most original and unorthodox ways.
David Askevold
OTTAWA, CANADA National Gallery of Canada As David Askevold’s recent retrospective “Once Upon a Time in the East” demonstrated, Pop, Minimalism, and media culture could all be part of conceptual art.
Antony Gormley
SAN GIMIGNANO, ITALY Galleria Continua San Gimignano, a historic town in the heart of Tuscany, recently hosted an absorbing exhibition of new and older works by Antony Gormley. At the heart of the show was Vessel, a site-specific work conceived for the former theater and cinema that forms the central part of the labyrinthine Galleria Continua space.
Koenraad Dedobbeleer
ZURICH Mai 36 Galerie Making sculpture from found objects has become as common today as it was shocking when Duchamp created his first readymade in 1915. It takes something fresh, different, and let’s face it, unique, to make this sort of sculpture interesting.
Motohiko Odani
TOKYO Takamatsu City Museum of Art Sculptor and multimedia artist Motohiko Odani is a leading young voice in the Japanese art scene. He says that he grew up captivated by American cinema, including the horror genre and the films of David Lynch.
Cristina Lei Rodriguez
New York Team Gallery Miami-based Cristina Lei Rodriguez makes sculptures that look like they have survived a terrible bombing—purses are crushed, and necklaces, pins, and fabrics are strewn like debris in small heaps of glittering trash.
Robert Irwin
LOS ANGELES L&M Arts / J. Paul Getty Museum In “Way Out West” at L&M Arts, Robert Irwin was concerned with “light,” illumination, and chance combinations of color. Nine related, but independent works rendered in fluorescent light coalesced in an installation that responded to its site, but could exist in any space, including, Irwin says, the domestic.
(e)merge art fair
WASHINGTON, DC Capitol Skyline Hotel From clever branding to a brassy roster of artists, the debut edition of (e)merge delivered on its promise to shake things up. Showcasing artists with no gallery representation and galleries that take on new artists, the art fair offered a rowdy alternative to its blue-chip cousins.
