I knew that I wanted to learn more about Jeanne Silverthorne’s work when I saw one of her tiny rubber figures sitting on a tall pedestal in the McKee Gallery booth at the ADAA Fair about two years ago.
Daniel Canogar: Media Brainstorms
In the installations of Spanish artist Daniel Canogar, electronic media work in concert with sculpture to create hypnotic and mesmerizing environments from abandoned technologies. Throughout Canogar’s work, there is an impulse to keep the “human” presence alive.
Diane Landry: The Clutter of All Things
The world knows many rhythms. From the Earth’s orbit around the sun, which gives us the cycle of seasons, to the planet’s rotation, which creates the periodicity of day and night, down to the very beating of our hearts and the systolic and diastolic movements of blood through our bodies, existence is all about the
Marc Leuthold: Cosmic Clay
“Marc Leuthold: Sculpture 1995–2010,” an impressive mid-career retrospective of works by the New York-based ceramicist at the Daum Museum of Contemporary Art in Sedalia, Missouri, also included a major new installation. Offering crystallizes the formal and thematic concerns present in all of Leuthold’s work and continues his ongoing challenge to the traditions and assumptions that
August Ventimiglia: Sculpting the Line
August Ventimiglia’s works on paper, in three dimensions, and directly on walls are based in the historical precedents of Minimalism (thoroughly digested and re-thought) and process art (rationalized and systemized). His tools come from the building trades—sandpaper, chalk, straight edge, plumb line—and with these humble items, he makes works in which the arbitrary is subsumed
Facing the Void: A Conversation with Toshikatsu Endo
Toshikatsu Endo’s sculptures confront ancient times and urges. With materials such as bones, wood, water, and fire, they become primal devices leading back to the essence of human existence. For Endo, art is a special field that oscillates between linguistic and non-linguistic tendencies, that can use construction and destruction to go beyond the limits of
Lee Bul: Phantasmic Morphologies
Who we are is determined to a considerable extent by what we are. The what includes our origins in time and place, gender, race, social status, sexual orientation, education, and political and religious convictions. Once we have this information, we believe that we know enough about a person to be able to classify and judge
Carlos Runcie Tanaka: The Pleasures of Simultaneity
Initial approaches to the sculptures and installations of Carlos Runcie Tanaka, a Peruvian artist of British and Japanese descent who lives and works in Lima, disclose an aesthetic mission based on intuiting ideas through a complex theater of abstract and referential images in which light and color play a significant role.
Making Worlds: Chicago Sound as Sculpture
Sculpture—situated within the sensibilities of space, embodiment, and the physical world—offers a richly speculative arena for experimentation with materials and technology. The continuing expansion of practices reminds us that sculpture no longer resides in a world of “things”: contemporary physics now reformulates “solid” matter as process and flow, foundational concepts for art are now redefined
John McCracken: Materialist, Transcendentalist, Minimalist
Minimal art and Minimalism imply two different strains within the scope of contemporary American art. For the most part, Minimal art began in New York and was named there (Richard Wolheim, 1965) before it was formalized on the West Coast.
