Sarah Gold: At the end of the 1920s, Yervand Kochar initiated discussions about “painting into space.” More recently, the German artists Gotthard Graubner and Katharina Grosse have continued this line of thinking. How did you become interested in space and the painted surface?
The Theatrum Mundi: Barry X Ball
A key to penetrating Barry X Ball’s sculptural enterprise (though not by any means to unlocking all its contents) was a phrase he let slip in a recent interview concerning his solo exhibition at the Ca’ Rezzonico in Venice.
Adventures in Black: Seung-Wook Sim
Seung-Wook Sim belongs to a generation of young Korean artists who have taken advantage of educational opportunities in both South Korea and the United States, where they have stayed after school. Sim has an impeccable academic pedigree: he studied sculpture at the prestigious Hong-Ik University in Seoul, where he received his BFA in 1999 and
Leviathan: Anish Kapoor at the Grand Palais
For the fourth installment of Monumenta, Anish Kapoor transformed the elegant Grand Palais in Paris with a surreal, space-invading installation. Instead of walking into the museum proper, visitors entered a gigantic, womb-like world where orifices suspended high overhead morphed into other mysterious spaces.
Fiona Banner: Clash of Sensibilities
Fiona Banner first came to prominence in the 1990s with “wordscapes” or “still films” such as The NAM, a 1,000-page, continuous-text book that describes the action in Vietnam War films frame-by-frame. Her interest lies in the complexities of language and history, how they are appropriated and mythologized; she is also interested in the physicality of
Charles Juhász-Alvarado: Raconteur of Complicated Stories
Charles Juhász-Alvarado’s mid-career retrospective (2008), organized by Exit Art in New York, was titled “Complicated Stories” for good reason. In trying to unpack his intellectually challenging work, a writer scrounges around for synonyms such as complex, maximalist, multi-layered, and, certainly, enigmatic.
Katharina Grosse
Just about 12 years ago, German artist Katharina Grosse initiated a radical and risky extension of her painting, moving off the canvas and into architectural spaces. She began to make her swirling, energetic, intensely colorful abstract works directly on walls and, in some cases, parts of the ceiling; in these and subsequent works, Grosse exchanged
Sopheap Pich: Return to Cambodia
Sopheap Pich, now living and working in Phnom Penh, returned to his native country at the end of 2002, after living and studying in America for close to 20 years. Born in 1971 in Koh Kralaw, a small rice-farming town in northwestern Cambodia, he spent his early childhood moving among towns and villages in his
Sculpting Urban Airspace: Janet Echelman
If your eye becomes entangled by the beauty of a huge fishing net cast into the vast blue of the sky, it has probably been caught in a work by Janet Echelman. Originally a painter, Echelman has been working with nets since a residency in India.
Jan-Ru Wan: A Magical Journey
A mile or more of hand-dyed, waxed thread, perhaps an acre of silkscreened, printed, and dyed silk organza and other fabrics, hundreds of bells, rusted razor blades, brain scans on magnetized rubber disks, small round candle mirrors, miniature Buddhas, the Heart Sutra, and a myriad of other symbolic objects mark the artistic journey traveled by
