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Features


Peru’s Contemporary Sculptors: Crafting New Social and Cultural Identities

March 1, 2012 by Jan Garden Castro

Peru’s sculptors range broadly in ethnicity, processes, and materials, yet many share a keen awareness of their country’s cultural heritage. With a new president, a new culture minister, and surging tourism, Peru is still struggling to overcome its legacy of gang, cult, and government violence (an ongoing dilemma that resulted in more than 60,000 murders

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Listening to Stones: A Conversation with Lika Mutal

March 1, 2012 by Jan Garden Castro

Lika Mutal, an Israeli-born, New York-based artist, specializes in working across the interstices of art categories. Most often, her work has to do with photography and video, but her images also explore the boundaries of two-dimensional and three-dimensional form.

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Green Magic of Recycling: Suzanne Morlock

March 1, 2012 by Katarzyna Zimna

An 80-foot-long train of knitted newspaper “glides” through the gallery space at the Central Museum of Textiles in tód´z, Poland. Its tangled, dynamic shape plays with air, light, and structural elements, winding around pillars and hovering just below the ceiling.

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Working with the Wind: A Conversation with Tim Prentice

March 1, 2012 by Jane Ingram Allen

Tim Prentice is a kinetic sculptor whose works can be seen in many public buildings and corporate collections, including American Express, Bank of America, Citigroup, Mobil, AT&T, and Hewlett-Packard. He received a master’s degree in architecture from Yale in 1960 and founded the award-winning architectural firm of Prentice and Chan in 1965.

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Andrew Mowbray: Weird Science and Aesthetics

March 1, 2012 by Francine Koslow Miller

Andrew Mowbray makes objects that, in the spirit of his hero Marcel Duchamp, upend elitist notions about the artist, the art object, and its place in the traditional white-box gallery. His finely tooled works—frequently carved out of ivory polyurethane—are often used in video performances sited outside or staged within gallery walls.

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Ranjani Shettar: Playing with Creation

January 1, 2012 by Chitra Balasubramaniam

Ranjani Shettar says that she turned from painting to sculpture because “I realized I had to move around the object, it had to occupy the same space that I did and there was no illusion in it.

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Rita McBride: (Re) Negotiating the Public Realm

January 1, 2012 by Christina Lanzl

American artist Rita McBride has spent the past decade living and working in Germany. She can be characterized as a sculptor with a passion for probing materials previously unexplored in the arts or at the cutting edge of research.

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Shuli Sadé: Thinking in Time

January 1, 2012 by Jonathan Goodman

Shuli Sadé, an Israeli-born, New York-based artist, specializes in working across the interstices of art categories. Most often, her work has to do with photography and video, but her images also explore the boundaries of two-dimensional and three-dimensional form.

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Allan Wexler: The Man Who Would Be Architecture

January 1, 2012 by Joyce Beckenstein

Two bird nests cradling speckled eggs sit in a glass vitrine in Allan Wexler’s living room. Propped beneath them on the floor is his drawing Positions of Plywood (2007), six softly rendered planes afloat on ochre paper.

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Elizabeth Turk: The Line Defining Three-Dimensional Space

January 1, 2012 by Rebecca Dimling Cochran

Elizabeth Turk does not fit very comfortably within an art world that demands rapid production of work for museum shows, international biennials, and an ever-expanding range of art fairs. Her meticulously carved sculptures take years to create, and their fragile nature makes them difficult to transport.

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Editor's Choice


  • In the Tower: Chakaia Booker: Treading New Ground

    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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