Thomas Hirschhorn: Irresistible

Is resistance possible? Swiss artist Thomas Hirschhorn still thinks so, according to the texts that permeated his giant cave of an installation at the 54th Venice Biennale. That Switzerland chose Hirschhorn as its official representative demonstrates a remarkable rapprochement, or at least détente, between an artist whose stated aim is to provoke and a government

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John Gibbons: Abstraction and Being Human

Visitors entering London’s National Portrait Gallery during the eight months between mid-September 2009 and mid-May 2010 were confronted by five mysterious, wall-mounted objects at the top of the long stair leading to the second-floor galleries. “John Gibbons: Portraits” was part of NPG curator Paul Moorhouse’s “Interventions Series,” a program focusing on “20th-century artists who have

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