Andrew Mowbray makes objects that, in the spirit of his hero Marcel Duchamp, upend elitist notions about the artist, the art object, and its place in the traditional white-box gallery. His finely tooled works—frequently carved out of ivory polyurethane—are often used in video performances sited outside or staged within gallery walls.
Ranjani Shettar: Playing with Creation
Ranjani Shettar says that she turned from painting to sculpture because “I realized I had to move around the object, it had to occupy the same space that I did and there was no illusion in it.
Rita McBride: (Re) Negotiating the Public Realm
American artist Rita McBride has spent the past decade living and working in Germany. She can be characterized as a sculptor with a passion for probing materials previously unexplored in the arts or at the cutting edge of research.
Shuli Sadé: Thinking in Time
Shuli Sadé, an Israeli-born, New York-based artist, specializes in working across the interstices of art categories. Most often, her work has to do with photography and video, but her images also explore the boundaries of two-dimensional and three-dimensional form.
Allan Wexler: The Man Who Would Be Architecture
Two bird nests cradling speckled eggs sit in a glass vitrine in Allan Wexler’s living room. Propped beneath them on the floor is his drawing Positions of Plywood (2007), six softly rendered planes afloat on ochre paper.
Elizabeth Turk: The Line Defining Three-Dimensional Space
Elizabeth Turk does not fit very comfortably within an art world that demands rapid production of work for museum shows, international biennials, and an ever-expanding range of art fairs. Her meticulously carved sculptures take years to create, and their fragile nature makes them difficult to transport.
Lori Nozick: The Girl Who Liked to Smell Dirt
New York-based sculptor Lori Nozick installed wooden structures in galleries in Italy last year, mounted a show in Berlin over the summer, and then flew to Israel to initiate a future project. Her indoor gallery installations play with perspective and demand interaction.
Ayse Erkmen: Plan B and Other (Not So) Futile Gestures
Ayse Erkmen’s site-specific sculptures activate the materials found in a particular place to shed light on the factors and histories that have lent it shape. She will often work with evanescent substances such as water or air or use pre-existing objects collected from a site only to return them to their place of origin at
A Conversation with Blane De St. Croix: Uneven
Since the early 1990s, Blane De St. Croix has focused his sculpture on the various tensions underlying disjunctive communication. The theme first appeared in Excavation (1994) and Bed of Wicker, Bed of Straw, Bed of Clay (1995), which brought elements of outdoor environments into the gallery.
Thomas Hirschhorn: Irresistible
Is resistance possible? Swiss artist Thomas Hirschhorn still thinks so, according to the texts that permeated his giant cave of an installation at the 54th Venice Biennale. That Switzerland chose Hirschhorn as its official representative demonstrates a remarkable rapprochement, or at least détente, between an artist whose stated aim is to provoke and a government
