Phoebe Cummings uses unfired clay to make poetic and performative sculptures and installations that emphasize material, fragility, time, creation, and decay. Working across art, design, and ceramics, she has had a number of residencies in the United Kingdom, the United States, and Greenland, including three months as a Kohler Arts/Industry Resident (2008) and six months
Imagination in Hyper-Drive: A Conversation with Brendan Jamison
It’s rare for Irish sculptors, particularly those from Northern Ireland, to have a high profile by the time they are in their early 30s, but Brendan Jamison, seemingly without effort, has propelled himself into the limelight and is unlikely to be dislodged in the near future.
From Babylon to Third and Broadway: A Conversation with Kristi Lippire
Kristi Lippire is an artist and curator who first emerged on the Los Angeles art scene in 1997 with a solo show at California State University, Long Beach. After more than 10 years of creating photographs and paintings, she recently turned to sculpture.
John Monti: Beyond Irony
Brooklyn-based John Monti is a mid-career sculptor who has moved from a Minimalist background toward a Pop stance that catches the eye through travesty. Once a maker of cool, lozenge-like wall reliefs, he now deliberately oversteps the line of good taste with works such as Cluster Study I (2012), a table-top work of urethane resin
Maria Cristina Carlini: The Aesthetics of Authenticity
Last year, Milan’s Fondazione Mudima and Fondazione Stelline co-hosted a retrospective of Maria Cristina Carlini’s sculptures, including large-scale works, maquettes, and preparatory drawings. It was a good opportunity to study the work of an important Italian artist (born and raised in Varese), who is not so well known—despite her track record of exhibitions in public
New Ways of Seeing: A Conversation with Teresita Fernández
A graphite waterfall, a ring of silk fire, a bamboo “forest” of acrylic tubes, and a braille constellation set against a luminous night sky: Miami-born, Brooklyn-based Teresita Fernández explores natural phenomena while challenging perception with a new vocabulary of “seeing.”
Programming the Sublime: A Conversation with Leo Villareal
Leo Villareal’s work demonstrates that sublime experiences cannot be measured using words, images, or a single point of view. Describing the creation of The Bay Lights (2012–13), a monumental (and temporary) tour de force of interactive lighting along 1.8 miles of the San Francisco Bay Bridge, he evokes an intuitive palette that somehow reflects parting
Ephemeral Natures: Eliana Heredia
Eliana Heredia represents a blend of cultures. Born in Brazil, she was raised in Argentina and has lived in Berlin for the last several years. Her work reflects this mixture of influences, expressing a very particular aesthetic.
There is Always Something Familiar: A Conversation with Laura Thorne
“Forest of the Mind,” the title of Laura Thorne’s 2012 exhibition at Brentwood Arts Space in Maryland, suggests not only her location—she recently returned to the Rocky Mountains—but also her interest in the creative process, language, nature, and science.
Rogue Sculpture in Polite Society: Lee Littlefield
For nearly 20 years, along certain stretches of highway and other unexpected places, there have been sightings of curiously elegant and quirky creatures known to art world insiders (and a few public officials) as “pop-ups.” These more-or-less public sculptures created by Lee Littlefield (who died in June 2013) testify to his sculptural persona: rangy, appealing,
