Ted Larsen’s sculptures are intimate and self-contained. His simple geometric forms resemble found objects, suggesting a past, reminiscent of something previously encountered. Though understated, the objects demand consideration: proximity encourages examination, which then reveals the nuanced complexity.
Between Evidence and Imagination: A Conversation with Janet Laurence
Elixir Bar, 2005. Traditional wooden house, screenprinted glass panel, blown-glass vials, plant extracts steeped in shochu, and laboratory glass, permanent installation at the Echigo-Tsumari Art Triennial, Japan. Janet Laurence’s work takes viewers on an amazing journey through subjects as diverse as ecology, feminism, and alchemy, to name a few.
Wolfgang Laib: A Detail of Infinity
Much has been written about Laib’s artistic constants—his hermetic practice, distilled forms, and organic materials. A convergence of three projects in 2013 hinted at evolutionary changes in his work: “Over the last few years, I’ve made fewer exhibitions and don’t want to repeat things.
Bookworms: A Conversation with Jukhee Kwon
Jukhee Kwon uses abandoned and discarded books to make extraordinary sculptures that frequently resemble cascading waterfalls. For her, each destroyed book—its pages meticulously cut into ribbons—takes on new life through the process of creation and re-creation.
Touching Reality: A Conversation with Giuseppe Penone
Giuseppe Penone takes an almost animistic approach to sculpture, instilling material, process, and object with a ritual significance that moves beyond the conventions of culture to capture something innate, though forgotten, in human nature. His definition of art is deceptively, disarmingly simple: the task of the artist is to explore the reality of the world
Trying the Combinations: A Conversation with Richard Deacon
Richard Deacon is one of the most prolific British artists practicing today, with a career spanning nearly four decades. Using a wide variety of media and processes, he has developed a diverse and constantly surprising body of work—from small-scale pieces to monumental public sculptures.
Crossing Disciplines and Modalities: A Conversation with Margaret Wertheim
At first the vastness overwhelms; the colors, diversity, intricacy, and textures bedazzle. Only later does the realization set in that these fantastical crocheted coral reefs bear an urgent ecological message. Some are based on photographs, but most are pure imaginative improvisations.
Human Echo: A Conversation with Tony Matelli
Tony Matelli’s imperfect human figures and macabre self-portraits might be described as expressions of hyperrealistic angst. Over the past 15 years, he has reinterpreted the human condition through an interplay of humor and horror, a strategy best demonstrated in Total Torpor, Mad Malaise (2003).
Realizing Metaphor, Memory, and Meaning: Ganesh Gohain
Ganesh Gohain’s sculptures and paintings are very personal, very intense introspections on myth, memory, materiality, and metaphysics. Extremely deceptive with their minimal, simplified forms, these works offer complex ideations based on his life experiences and conceptual meditations.
Anonymous Exchanges: A Conversation with Shinique Smith
Shinique Smith’s sculpture, paintings, and collages reflect the belief that possessions reveal identity, create personas, and confer power. She is a student of the social totems represented by clothing and furnishings, observing how they perform along a spectrum of duty, beginning with function and ending as narrative.
