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Features


Archetypal Things: A Conversation with Martin Boyce

May 30, 2024 by Chris Sharratt

Scottish artist Martin Boyce draws on the imagery of everyday urban living to create sculptural and wall-based works that conflate and confuse notions of exterior and interior, natural and manufactured.

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Lift and Fold: A Conversation with Mimi Herbert

May 24, 2024 by Jean Lawlor Cohen

Mimi Herbert and her fraternal twin were only 12 when their father, a portrait photographer, paid them a quarter a head to tint his sepia prints with oils. Their mother had studied at Pratt, and an uncle, a New York artist, marched them through museums with pictures that gave Herbert nightmares.

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La trama de la memoria colectiva: Una Conversación con Claudia Santanera

May 23, 2024 by María Carolina Baulo

Nacida en la provincia de Córdoba, Argentina, la poeta y artista visual Claudia Santanera se vincula con el campo de los cruces interdisciplinarios desarrollando su obra en diferentes soportes y medios que van desde las video instalaciones hasta las esculturas blandas trabajadas con fibras naturales, pasando por los libros de poesía.

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Resting Places: A Conversation with Steve Dilworth

May 21, 2024 by Robert Preece

For over five decades, Steve Dilworth has been making art inspired by the wild, windswept landscape of the Outer Hebrides, the sparsely populated chain of islands located off the northwest coast of mainland Scotland. He uses natural materials found there, including deceased animals, for which he often creates memorial-like works.

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Approximation to Form: A Conversation with Dolores Furtado

May 17, 2024 by Jonathan Goodman

Dolores Furtado, who was born in Argentina and moved to New York a decade ago, constructs objects that evade easy characterization. Simple in form, sensuous in texture, her sculptures possess a simplicity that links them to archaic artifacts.

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Melvin Edwards: “You don’t play around with that power”

May 13, 2024 by Michael Brenson

Recipient of the 2024 Lifetime Achievement in Contemporary Sculpture Award Melvin Edwards began his now mythical “Lynch Fragments” in Los Angeles in 1963, when he was 26, and he has continued welding and forging them in New York, New Jersey, Senegal, Zimbabwe, Brazil, and elsewhere.

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Petah Coyne: Illuminating the Blind Spots

May 10, 2024 by Nancy Princenthal

Recipient of the 2024 Lifetime Achievement in Contemporary Sculpture Award Petah Coyne’s spacious studio is located in a tight-knit, working-class neighborhood in northern New Jersey, a community she loves.

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Construyendo identidades específicas: Una Conversación con Samantha Ferro

April 25, 2024 by María Carolina Baulo

Con amplia formación práctica en talleres, seminarios y clínicas de perfeccionamiento en el campo de las artes visuales, fotografía y diseño de indumentaria, la obra de Samantha Ferro opera en torno a la problemática del cuerpo como territorio donde se definen las construcciones de identidades específicas a partir del uso, mal uso y abuso del cuerpo.

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Part Of It: A Conversation with Ranjani Shettar

April 10, 2024 by Beth Williamson

Every aspect of Ranjani Shettar’s artistic practice is rooted in the natural world. Her studio, where she often works out of doors, is located in rural Karnataka in India. That local context is important since she draws on established craft traditions to find the tools and techniques that might be adapted to contemporary sculpture.

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Making Contact: A Conversation with Andrés Aizicovich

April 9, 2024 by María Carolina Baulo

Artist and inventor Andrés Aizicovich uses his objects and installations as a means to reimagine the dynamics of communication. Suspicious of the hyper-connectivity of modern life and concerned by the deterioration of the social fabric, he aims to restore the power of perception while encouraging collaborative encounters through alternative forms of contact and interaction.

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