Fluidity is the key to Cristina Iglesias’s work. Her monumental public projects, whether involving the flow of water, the play of shadows, or the ritualized movements of bronze doors, lead viewers into places where architecture morphs into a hybrid of the natural and imaginative worlds.
Susanna Bauer: A Poet in the Woods
Small, intimate, and nuanced, the sculptures of Susanna Bauer express the intent of an artist thoroughly engaged with nature. In her hands, humble materials are reimagined into objects that resemble the familiar, only modified beyond expectation.
Shape-Shifter: A Conversation with Rina Banerjee
Our world is more connected now than ever before. Yet most of our experiences of art take place through virtual means, accompanied by broad strokes of information. As we try to classify objects without meaningful spatial interactions, our perspectives are irrevocably shifting.
Jason Ellis: Arresting the Wheel of Mortality
Jason Ellis, a sculptor of English and German parentage who moved to Ireland in the early 1990s, is a stone carver of considerable accomplishment. As a guitar player, he likens the process of carving stone to that of playing pop music: every now and then, something new seems to “just happen,” defying a limited, rule-bound
Walking the Edges: A Conversation with Claudia Fontes
Claudia Fontes, who represented Argentina at the 2017 Venice Biennale, has been living in Brighton, England, for the last 12 years. She studied art at the National School of Fine Arts Prilidiano Pueyrredón in Buenos Aires and art history at the University of Buenos Aires.
To Cut Your Own Flesh: A Conversation with Johan Creten
If art is a reflection of an artist’s psyche, then Belgian-born, Paris-based Johan Creten reveals a soul enamored by corrosive beauty. His colorfully glazed, edgy ceramic works appear to be slowly hemorrhaging, riddled with imperfections that almost defy the static nature of objects in space.
Scott Hocking: Turning Things Upside Down
On the morning of September 6, 1881, Boston residents awoke to a dense yellow fog that trapped the city in an unnatural twilight. The effect was so ominous that the Boston Globe reported people interpreting it as evidence of a widely repeated prediction that the world would end that year.
In Progress: Kiefer and Rodin
Late in his career, Auguste Rodin constructed strange assemblages by affixing plaster fragments of his figural sculptures onto antique terra-cotta pots from his collection, creating hybrid forms with little artistic precedent. As Rodin scholar Bénédicte Garnier has written, “The true revolution lay in this mix of objects from the past with works in progress.”
Crossing Thresholds: A Conversation with Tallur L.N.
An artist of complex oppositions and striking balances, divisions and unities, Tallur L.N. spends half the year in India and half in South Korea, maintaining independent studio practices in both countries. He studied partly in Northern England for a Masters, and he exhibits partly in New York and partly in Mumbai.
Sliding Into the Unknown: A Conversation with Saint Clair Cemin
Saint Clair Cemin’s work ranges across numerous genres, all pervaded by his unique sensibility and spirit. From 40-foot-tall monuments in locations worldwide down to softball-size objects in stone, metal, wood, and syn- thetics, his sculptures delight, amuse, and mesmerize.
