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Features


The Importance of the Insignificant: A Conversation with Liliana Porter

October 3, 2019 by María Carolina Baulo

“The formal solutions that I choose pretend to be coherent with the ideas that I propose. In an artwork, everything has meaning: scale, material, support, the space where things happen…In my work, the awareness of that mechanism is part of the content.”

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Wangechi Mutu On Her New Fifth Avenue Façade Commission at The Met

September 27, 2019 by sculpturemag

“The idea of a hybrid for me represents human potential, super-human powers, and the feeling of being in transition as well as being alienated.”

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Una Cronista Curiosa: Una Conversación con María Silvia Corcuera

September 26, 2019 by María Carolina Baulo

María Silvia Corcuera habita la piel de una “artista fémina curiosa”—tal sus palabras—que va sumando experiencias y con cierta cuota lúdica aborda el terreno de lo popular latinoamericano y su transculturación.

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Unpredictable Beauty: A Conversation with Coleen Sterritt

September 16, 2019 by Kay Whitney

Sterritt’s work prods insistently at the gaps between natural and manufactured, anonymity and authorship, between art, craft, and mass production.

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No Fear: A Conversation with Elmgreen & Dragset

September 12, 2019 by Rajesh Punj

Michael Elmgreen and Ingar Dragset employ performance, installation, design, and corrupted advertising to subvert collective sensibilities. They come at the objects and assumptions that rationalize our lives with an adolescent energy, protesting against the moroseness of maturity and refusing to surrender to the status quo.

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Critical Aspirations: A Conversation with Ilana Harris-Babou

September 4, 2019 by Amanda Dalla Villa Adams

Ilana Harris-Babou is often considered a video artist, but her practice fluidly negotiates sculpture, installation, performance, photography, and online platforms like Instagram.

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Sensualidad 3D: Una Conversación con Eugenia Streb

August 29, 2019 by María Carolina Baulo

Argentina pero con gran parte de su vida transcurrida entre tres países—Estados Unidos, Brasil y Argentina—Eugenia “Genia” Streb, se formó como arquitecta en Buenos Aires y completó un posgrado en Szeczin/Polonia (1986).

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Mixed Messages: Mark Bradford’s What Hath God Wrought

August 27, 2019 by Derrick R. Cartwright

In the late fall of 2018, an odd delivery appeared on the campus of the University of California, San Diego. From the flatbed of a trailer, construction crews unloaded five precisely machined, nearly 40-foot-long tubes.

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Anne Duk Hee Jordan: Changes

August 23, 2019 by Joyce Beckenstein

Anne Duk Hee Jordan takes evolution and adaptation as her primary themes, traveling on a personal odyssey from the Neanderthal era into an imaginary vision of a post-Anthropocene future of mechanical anthropomorphic hybrids that she’s dubbed Homo-Stupidus.

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Observant By Nature: A Conversation with Malia Jensen

August 14, 2019 by Rachel Rosenfield Lafo

Malia Jensen’s work combines a keen sense of observation of the natural world with a complex sense of humor. Earthy, sensual, uncanny, ambiguous, and provocative, her sculptures are always more than what they appear to be, teasing out multi-layered narratives.

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Editor's Choice


  • In the Tower: Chakaia Booker: Treading New Ground

    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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