Cultural Corridor/Urban Flow is a nine-and-a-half-mile-long public artwork on the first Bus Rapid Transit Line in Oakland, California. Designed by Johanna Poethig and Mildred Howard, with Peter Richards and Joyce Hsu, the line’s 34 stations are visually connected with a “ribbon” of words and images rendered in laser-cut aluminum on handrail panels and decorative windscreens.
Edoardo Tresoldi: Framing Emptiness
A former scenographer who helped to design backdrops for other people’s cinema productions, Italian sculptor Edoardo Tresoldi has since found success by putting his own work center stage. His large-scale, seemingly fragile sculptures are predominantly constructed from wire mesh, a medium that reinforces their ephemeral, mirage-like quality.
Dubious Origins: A Conversation with Sanford Biggers
By remixing references and aesthetic values from multiple cultures and time periods, Biggers reconsiders questions of authenticity, art historical authority, and provenance, infusing his hybridized forms—which he calls “objects for a future ethnography”—with overlapping and sometimes diametrically opposed meanings that demand to be grasped simultaneously.
A Conversation with Natalie Frank
Natalie Frank is a multidimensional artist who plays in the arena of the figure. After first garnering attention with ribald oil paintings, she expanded into drawing, illustrating such books as the unexpurgated Tales of the Brothers Grimm.
Speaking My Business: A Conversation with Jay Critchley
Multidisciplinary artist/activist Jay Critchley, who is based in Provincetown, Massachusetts, uses humor and satire to touch on serious ecological, cultural, and political themes.
Transitar lo Inaprensible: Una Conversación con Elia Gasparolo
Habiendo transitado distintas disciplinas dentro de las artes plásticas, la obra de Elia Gasparolo, artista argentina oriunda de la provincia de Mendoza, se enmarca actualmente dentro de lo multidisciplinario, sumando a sus pinturas, objetos de estructura blanda, indumentaria y accesorios que conforman biotextiles cuyo protagonista es la materialidad orgánica per se.
Unruly Forms: A Conversation with Nancy Davidson
Though Nancy Davidson has worked in multiple mediums over the course of her prolific career, she is best known for her enormous, flamboyant sculptures made of latex balloons and vinyl-coated nylon. These quirky, vibrantly colored inflatables lightheartedly blend absurdity and humor, but they also raise social and political issues in an upbeat, playful manner.
Body of Work: A Conversation with Young Joon Kwak
Young Joon Kwak, a Los Angeles-based artist working in sculpture, performance, and video, reimagines the form, function, and materiality of objects in order to propose alternative ways of seeing and understanding bodies, as well as physical and social spaces.
Welcoming: A Conversation with Donté K. Hayes
Influenced by hip-hop, history, and science fiction, Donté K. Hayes explores memories of the past to project possible futures. The ceramic vessels in his “Welcoming” series use the pineapple as a surrogate for the Black body, tapping into its dual significance as a symbol of welcome and hospitality for some groups and a symbol of racist exclusion and agricultural colonization for others.
Without Definitions: A Conversation with Julia Haft-Candell
An artwork is an odd kind of cipher—by the time viewers see it, it’s all veneer, divorced from the studio, stripped of the labor and history that went into its production (as well as its synergistic relationship with its creator), and polished up into an end product.
