The work of Argentinian artist Celeste Martínez Abburrá focuses on the body as social metaphor and fragile physical entity—an embodiment of identities, a container expressing thoughts and feelings, a structure for doing, and a host to disease.
I Am the Sculpture: A Conversation with John Court
Born in Bromley in southeastern Greater London, Court worked as a general laborer for several years before receiving a foundation diploma in art from London’s Camberwell School of Art and a BFA in sculpture from the Norwich School of Art and Design.
A Re-Enchanted 59th Venice Biennale, Part I: Top 10 Pavilions and Exhibitions
After a year’s delay, the 59th edition of the Venice Biennale, “The Milk of Dreams,” curated by Italian-born, New York-based curator Cecilia Alemani, was overwhelmingly embraced—and deservedly so.
Hugh Hayden and Daniel S. Palmer in Conversation on “Black Atlantic”
“Black Atlantic,” presented by Public Art Fund and currently on view at Brooklyn Bridge Park, brings together newly commissioned works by five artists—Leilah Babirye, Hugh Hayden, Dozie Kanu, Tau Lewis, and Kiyan Williams—sited across the waterfront park’s three piers, with views of New York Harbor and the Statue of Liberty beyond.
Public Responsibility: A Conversation with Donald Lipski
Public art isn’t what it used to be. As we remove historical monuments associated with racism and ethnic disenfranchisement from the American landscape, we force ourselves to rethink the goals of public art and to reconsider who we are as a people.
Fragile and Beautiful Complexity: A Conversation with Masimba Hwati
Masimba Hwati, who was born and raised in Zimbabwe, constructs intriguing assemblages of objects that comment on the country’s contemporary landscape with a mixture of traditional, colonial, postcolonial, and imported pop culture imagery.
A Conversation with Chris Schanck
Born in 1975 in Pittsburgh, Chris Schanck grew up in Dallas. He received a BFA in sculpture from the School of Visual Arts and an MFA in design from Cranbrook Academy of Art. Since 2011, he has lived in Detroit, where he founded a studio employing more than a dozen artists, students, and craftspeople.
Like a Rock: A Conversation with Nari Ward
Because Ward’s work can’t be reduced to a mere collection of materials, he enlists viewers in a process that recharges typical interactions with objects. We see something over and above a process and collection of things—a particular lived history of race, poverty, and consumer culture.
Materiales que Construyen Percepciones: Una Conversación con Marcolina Dipierro
Su trabajo se despliega en instalaciones, objetos o conjuntos escultóricos, muchas veces jugando con la dinámica del espacio que los contiene para generar la idea de que esos espacios son habitables en la realidad.
Life and Spirit: A Conversation with Juan Martinez
Detroit-based Juan Martinez, who describes himself as a “kinetic metal sculptor,” was born in Bogotá, Colombia, and grew up in New Orleans. He was educated through a traditional Mexican trade school and an informal apprenticeship model in which he offered to assist people whose work he enjoyed.
