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Features


Tadaaki Kuwayama: The Reversal of Form as “Pure Space”

July 1, 2000 by Robert C. Morgan

Kuwayama’s forms not so much intercede within a given space as create a new space …see the full feature in July/August’s magazine.

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Public Art and the Sydney Olympics: Seeing the City in its Most Enlivened State

July 1, 2000 by Tempe MacGowan

For the 2000 Olympics in Sydney, art has been commissioned for a number of sites …see the full features in July/August’s magazine.

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Site: Frederik Meijer Gardens & Sculpture Park

July 1, 2000 by Gerry Craig

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Aleksey Kostroma: Organic Ideology

July 1, 2000 by Sarah Tanguy

Kostroma prefers minimal shapes and fragile materials: eggshells, feathers, balloons …see the full feature in July/August’s magazine.

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Site: The Gori Collection

July 1, 2000 by Paola Bortolotti

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Intensity of Form and Surface: An Interview with Lynda Benglis

July 1, 2000 by Erica-Lynn Huberty

Benglis uses a range of materials in iconographic impressions of mass and form …see the full feature in July/August’s magazine.

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Site: The Sculpture Park at Goodwood

July 1, 2000 by John K. Grande

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From Form to Formlessness: A Conversation with Shirazeh Houshiary

July 1, 2000 by Anne Barclay Morgan

Houshiary’s work has evolved from abstract sculpture to the dematerialization of form …see the full feature in July/August’s magazine.

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Focus: Tara Donovan

June 1, 2000 by George Howell

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Focus: Bella Feldman

June 1, 2000 by Kay Whitney

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Editor's Choice


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    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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