One could describe sculptor Claudia Aranovich as Argentine, female, Jewish, artist, feminist, contemporary, in this order or any other. But she has transcended confining attributes by creating a body of work that is surprisingly diverse and beautifully universal: transparent resins acquiring organic, fertile shapes, aluminum masks apparently cast from dead people, small resin friezes hosting
Palpable Color: Beverly Semmes
Semmes’s new work marks a departure from her signature large-scale dresses …see the full feature in May’s magazine.
The Language of Stuff: An Interview with Richard Wentworth
Through joining, inserting, and pairing, Wentworth reroutes the meaning of objects.
Memories in the Material: An Interview with Patricia McKenna
McKenna’s sculptures and site installations create moods of quiet unease.
Rethinking Judd
Judd was interested in a uniquely American art, an art free from illusionism.
Socrates Sculpture Park: A Blend of Art and Community
Socrates is a unique place for young artists to build and show their sculpture.
Local Internationalism: An Interview with Tom Finkelpearl
Finkelpearl shares his experience in local, global, and public art arenas …see the full feature in April’s magazine.
