Manfred Muller, Palacio de Memoria LCI [Lower Color Intention], 2003. Red primed paper with oil pastel and linseed oil on mat board, 37.5 x 16 in. From Matteo Ricci’s 15th-century tale Palace of Memory to Italo Calvino’s 20th-century Invisible Cities and Hans Magnus Enzensberger’s recent Civil Wars, European writers have continuously explored memory as an artistic
Beacon, New York: A Sculpture Destination
The small Hudson River city of Beacon, New York, has become an exciting destination for sculptors and sculpture enthusiasts….see the full feature in July/August’s magazine.
In Tune with Nature: A Conversation with Roy Staab
Roy Staab’s earth-sensitive site-specific installations use locally available materials and result in ephemeral earthworks that eventually devolve back into nature….see the full feature in July/August’s magazine.
BWAC at Empire-Fulton Ferry State Park
Matt Johnson, Empire State, 2003. The 21st annual Brooklyn Waterfront Artists Coalition (BWAC) sculpture show took place over the summer at the Empire-Fulton Ferry State Park, which is located directly north of the Brooklyn side of the Brooklyn Bridge in New York City.
Claiming the Source: Michele Oka Doner
You don’t have to look far for the origins of Michele Oka Doner’s work. As a child in Miami Beach, she fed on the “flotsam and jetsam of animal and mineral life,” and in turn….see the full feature in July/August’s magazine.
Fragments of Meaning: Zvika Lachman
Zvika Lachman’s passion as an artist is refined, austere, and articulate. He is a self-possessed artist, an artist who comprehends his own sense of being in relation to others….see the full feature in July/August’s magazine.
