Anna Maria Botero didn’t intend to become a sculptor. Perhaps partly as a reaction to the success of her uncle Fernando, Colombia’s most famous artist, she started in biology, working with primates in her country’s jungles.
Topography of the Soul: A Conversation with Ursula von Rydingsvard
Ursula von Rydingsvard is known for monumental works, usually in cedar, that evoke her Polish heritage, her hard childhood in Polish refugee camps in Germany, and childhood games and family. Her abstract compositions also evoke the body as a metaphor for our innermost yearnings and struggles.
Alison Saar: Exalting Ambiguity
Alison Saar’s sculpture not only functions as art, it also speaks to issues that go beyond the purely sculptural. Often described, even by herself, as being caught between different worlds, racially, artistically, and poetically, Saar has crafted from her multiplicity of origins a figural and narrative art form that exalts ambiguity as a significant component
Gender, Space, and Forensic Biography: A Conversation with Deej Fabyc
Gender, space, and forensic biography are the three themes that British-born, Australian artist Deej Fabyc has crisscrossed and crafted together in her performative installations over her 15-year career. She aims to interrogate the viewer with a range of work that is often demanding, aggressively thought-provoking, and sometimes shocking in its raw content.
State of the Art: Public Art in Boston
Many cities have successfully used art and culture as a vehicle for urban revitalization and pay special attention to neighborhood identity through public art programs. Boston is no exception to this development, although a number of initiatives are sponsored by private organizations.
Removed Monuments / Shifted Narratives
In 1979 Michael Asher removed a statue of George Washington from the Art Institute of Chicago entrance and placed it in Gallery 219 as part of an installation. His act posed questions regarding our relationship to history and raised one of the most relevant issues of art theory and practice of the time: the criticism
Mara Adamitz Scrupe: How Does Your Garden Grow?
Beneath the surfaces of Mara Adamitz Scrupe’s lovely installations, powerful ideas put down roots, train themselves into the terrain, and inform native landscapes and communities in ways that have far-reaching reverberations. Garden for the Third Coast, created in 2005 for Buffalo Bayou Art Park (BBAP), was the culmination of her year-long residency with BBAP, a nonprofit
Grand Rapids: Sculpture in the Urban Fabric
Last January, Andy Goldsworthy’s colossal stone gateway Grand Rapids Arch was unveiled at Frederik Meijer Gardens & Sculpture Park. In March, the Michigan city announced that Dennis Oppenheim would receive a $200,000 commission to create the spiraling aluminum and Lexan Journey Home for the new Rapid Central Station bus depot.
Accumulating Experiences: A Conversation with Mary Miss
In the 1970s, Mary Miss, who was educated as a sculptor, chose to turn from the gallery and museum scene and create art in the public realm. Her early works include temporary site installations and percent-for-art projects.
Art on the Green: Mad. Sq. Art
Madison Square Park, the 6.2-acre swath of green in Manhattan’s Flatiron District, faces some challenges after opening its third season of outdoor sculpture exhibitions. Initially teamed with New York’s Public Art Fund, the Madison Square Park Conser-vancy launched an independent contemporary sculpture program in June 2004.
