Atlanta
Personal but at the same time universal, Amy Pleasant’s exhibition “re / form” was conceived with the Whitespace Gallery in mind. The two rooms of this converted coach house retain vestiges of their history—herringbone brick floors, a few words scribbled years ago on the wooden walls. Echoing the historical redolence, “re / form” represented Pleasant’s search through her own past—a kind of personal archaeological “dig” and individual quest that inevitably took on more universal implications.…see the entire review in the print version of November’s Sculpture magazine.
