Judy Pfaff

PROVINCETOWN, MASSACHUSETTS Gaa Gallery Though filled with Pfaff’s typical energy, “opsins” is infused with a glowing vibrancy and color unusual for her frenetic forms. The exhibition hinges on gradations across light, color, and darkness, making it one of Pfaff’s most joyful bodies of work to date.

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Sreshta Rit Premnath

CAMBRIDGE, MASSACHUSETTS MIT List Visual Arts Center Premnath combines a Minimalist context with Arte Povera sociopolitical influences, conveying a narrative that invites reflection on the psychic weight of waiting in relation to the exclusionary experiences of displacement, incarceration, immigration, and disability.

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Rachel Kneebone

LONDON White Cube Mason’s Yard Seen in conjunction with the drawings, the sculptures became balletic, taking an unexpected turn away from the tragedy that inspired them. The overspilling, extended limbs, now recalling the stylized grace of synchronized swimmers, created an uncanny tension—as in Géricault’s painting—between the sublime and the monstrous, hope and despair, order and chaos.

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Anicka Yi

LONDON Tate Modern It is impossible not to marvel at these floating entities—Yi calls them “aerobes”—programmed using Artificial Life software, which employs biologically inspired processes to give machines perception, motivations, and decision-making tools that allow them to respond independently to changes in their surroundings.

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Moffat Takadiwa

LOS ANGELES Craft Contemporary The Anthropocene is the skeleton in the closet of 21st-century imagination. The consequences of more than a century of hyper-consumerism are everywhere apparent, inescapable, part of the environment and the air we breathe.

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