Buenos Aires Recent visitors to MALBA were surprised at…see the full review in April’s magazine.
The Legacy of Julio González
“The work of González is one of the most solid and most beautiful elements in the future edifice the younger generation is building, though generally unrecognized in Spain, where only his imitators are known.”1 This observation about Julio González’s lack of recognition in Spain could until very recently have applied to most countries.
“The Amber Room”
San Francisco Much of the contemporary art world is in…see the full review in April’s magazine.
Toshihiro Katayama
Cambridge, Massachusetts As the aesthetic arm of the only city in…see the full review in April’s magazine.
Contemporary Sculpture at Chesterwood 2006
Stockbridge, Massachusetts The grounds of Daniel Chester French’s historic…see the full review in April’s magazine.
Michael Heizer
New York Michael Heizer’s eight stone sculptures, alluding…see the full review in April’s magazine.
Annette Messager
New York ln her solo debut at Marian Goodman, Annette Messager…see the full review in April’s magazine.
Grayson Perry
Pittsburgh British artist Grayson Perry, who is best known…see the full review in April’s magazine.
Pushing the Structure: A Conversation with Nancy Rubins
Nancy Rubins, born in Naples, Texas, and now living and working in Topanga Canyon, California, has been creating gigantic sculptural installations since the early ’80s using various discarded objects such as airplane parts and cut-up boats.
Looking at the Overlooked: 19th-Century Italian Sculpture
Sculpture always lags behind painting in the mind of the art-interested public. We have been brainwashed into Monet-theism, and the mere mention of Impressionism makes our hearts beat faster. But with the exception of Rodin, French sculpture of the Impressionist period is still ignored by all but a small handful of specialists.