“Age of Terror: Art since 9/11”

LONDON Imperial War Museum In order to reach the Imperial War Museum’s landmark “Age of Terror” exhibition, you had to negotiate its astonishing atrium, complete with a suspended jet plane and rocket. Underfoot, James Bridle’s Drone Shadow lurked as a white outline on the floor. IWM has commissioned contemporary artists to go to war zones since its founding 100 years ago. Its collections include 20,000 works of art, in addition to thousands of war-related artifacts that combine a big-picture view with intimate personal stories.

Read More

Reflecting on Space: A Conversation with Sharon Louden

Sharon Louden is best known for room-size, site-specific installations constructed from thousands of small components. She uses a variety of media, including painting, drawing, sculpture, and animation, aiming to capture movement and light. Within these works, industrial materials (her favorite is aluminum) are transformed into something more closely resembling forms in nature, even the human

Read More

Elizabeth Michelman

RUTLAND, VERMONT Clastleton Downtown Galler Pandora, the first installation in Elizabeth Michelman’s recent exhibition, “Notes from Underground,” consists of things one might find forgotten in a basement, unearthed after the passage of years. An oversize steamer trunk made of dark gray-green metal provides an anchor. Propped up against it is a cello, its generous curves contrasting with the trunk’s linearity.

Read More

Carolee Schneemann

QUEENS, NEW YORK MoMA PS1 Carolee Schneemann, speaking at the press conference for her touring retrospective, recalled the days when the art world labeled her unabashed use of her body to disrupt misogynist attitudes toward women as “lewd” and “narcissistic.”

Read More

Doerte Weber

SAN ANTONIO Artpace Doerte Weber grew up in a country divided by a wall. Born in West Germany, she attended university in Berlin (1979–83). To visit her boyfriend in West Germany on the weekends, however, she had to travel through East Germany. Each time Weber crossed the border, she was overcome with emotion as she confronted the formidable wall erected inside a single country, complete with barbed wire and armed guards.

Read More

Patricia Cronin

DUBLIN The LAB Gallery Even the crudest structure or site can become a shrine. Once connected to an item or individual deemed sacred, it transfigures into a space conducive to contemplation and rituals of remembrance—activities that keep the enshrined, in some way, alive. Patricia Cronin subverts traditional notions of a shrine to memorialize something that is handled, globally, with systemic disdain and a chronic lack of care.

Read More