Margaret Meehan

DALLAS, TEXAS Conduit Gallery
We like to imagine that the arc of history follows some kind of trajectory, like a book or a movie. Artists like Margaret Meehan, however, recognize that there is no clear chain of events, that history is illogical, directionless, and unpredictable.

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Sydney Blum

HALIFAX, NOVA SCOTIA, CANADA Studio 21
After several decades in New York, including 17 years teaching at the Parsons School of Design, Sydney Blum moved to Nova Scotia. Her recent exhibition “Icarus–Colour–Space” (her first solo show in her adopted home) featured five sculptures that seem to float, rippling, in space—like sections of soap bubbles hovering just on this side of corporeality before winking out of existence.

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Sarah Braman

NEW YORK Mitchell-Innes & Nash
While Braman is known for large-scale works, her smaller sculptures command equal recognition. Related to Minimalist traditions, these works use deceptively simple components to create a consortium of forms and effects, often highly colorful.

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Martin Puryear

VENICE U.S. Pavilion, 58th Venice Biennale
“Liberty/Libertà,” Martin Puryear’s U.S. pavilion exhibition, uses subtle, disarming, and purposeful juxtapositions to create a mindful meditation on what it means to be an American artist and citizen today.

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