SEATTLE Henry Art Gallery, University of Washington Realized through extraordinary material accretion, Al-Hadid’s works assemble countless fragments that struggle to coalesce into a complete whole.
LONDON Tate Modern It is impossible not to marvel at these floating entities—Yi calls them “aerobes”—programmed using Artificial Life software, which employs biologically inspired processes to give machines perception, motivations, and decision-making tools that allow them to respond independently to changes in their surroundings.
LOS ANGELES Craft Contemporary The Anthropocene is the skeleton in the closet of 21st-century imagination. The consequences of more than a century of hyper-consumerism are everywhere apparent, inescapable, part of the environment and the air we breathe.
Sean Donovan, an emerging artist living in Brooklyn, uses sculpture, video, and printmaking to call attention to environmental degradation. His works, which repurpose—and sometimes replicate—abandoned objects, including chemical containers and plastic bags, expose the myopic thinking and avaricious behavior that result in unchecked consumer and industrial waste, pollution, and a poisoned planet.
Jean Shin has long operated in the intersection of public art and civic engagement. Site-specific and often temporary, based in community and collective collaboration, and focused on sustainability, her work invites awareness and activism. Through a labor-intensive process, she transforms raw, “crowd-sourced” material— often gathered through open calls for contributions—into immersive, large-scale sculptural installations.
HUDSON, NEW YORK Hudson House Stephen Shaheen’s imaginative exhibition “Let’s Eat Columns” (on view through January 30, 2022) features works that blend a material approach to stone with metaphysical ruminations.
HALIFAX, NOVA SCOTIA, CANADA The Blue Building Gallery Pullen’s work expresses a poetics of numbers, a seeking for knowledge expressed in a language of abstract description that, for those conversant with it, expresses hope and wonder as much as any certainty.
GLENS FALLS, NEW YORK The Hyde Collection The 17 small-scale bronze and stone works in this intimate show revisit some of his dominant themes—including the myth of Sisyphus and the figure of the juggler, as well as his “Pyxis Awry” and “Portals and Passages” series—now repurposed to bring meaning to this unusual and politically charged time.
Florencia Almirón, joven artista visual nacida en Buenos Aires, desarrolla sus actividades entre Europa y Argentina, contando con una amplia trayectoria expositiva en galerías, ferias, bienales y museos de Alemania, Holanda, Islandia, Grecia, Inglaterra, Argentina, entre otros.
Mount Ruapehu, the largest active volcano in New Zealand, last erupted in 2007, sending a lahar of mud, rock, and water from the mountain’s crater sweeping down the mountain. In multimedia artist Donna Huanca’s current exhibition at Ballroom Marfa, “ESPEJO QUEMADA,” the painting Ruapehus Scar translates that sense of mutating energy to the canvas.