Giovanni Anselmo’s works are predicated on action. As a result, they always seem to exist in the present moment—dynamic presentations of materials that resist aesthetic resolution, with each encounter constituting a perceptual experience that empowers individual outcomes and discoveries.
Finding Hybridabad: A Conversation with Osman Khan
More than two years in the making, “Road to Hybridabad” marks the culmination of an interwoven narrative that Detroit-based artist Osman Khan has been building for his entire life. Drawing on literary classics like One Thousand and One Nights and Waiting for Godot, the exhibition (currently on view at MASS MoCA) employs ordinary, familiar objects—telephone
“Moment of Perception”
VENICE, CALIFORNIA King Studio Taking almost diametrically opposed approaches, Mahoney and Johnson demonstrate rigorous, meticulous control of their selected materials and processes. In fact, the level of craft they achieve plays a major part in the appeal of the wall-based works presented here.
Soul Mirror: A Conversation with Sali Muller
Contemporary conceptual artist Sali Muller produces multimedia works which not only explore light and its impact on the objects, installations, and sculptures she creates, but also as a soul mirror that reflects her own spirituality as well as social matters that highlight individual and collective experiences and relationships.
Gaming Precarity: A Conversation with Cathy Della Lucia
While much contemporary art deals with questions of materiality, the things that make up an artwork, and how artists collaborate with material properties to locate spaces of aesthetic ease, Cathy Della Lucia’s work directly opposes her materials.
Joanna Malinowska
NEW YORK CANADA In Malinowska’s case, a casual arrangement of objects enables her to suggest interpretive links from one work to the next—a highly efficient way of creating an open field in which the artist’s decisions are placed to the side in favor of the viewer’s imaginative connections and intelligence.
Hugh Hayden
DALLAS Nasher Sculpture Center Hayden’s use of wood is nostalgic, since such workmanship on an object of public utility has largely been replaced with metal and plastic. It is also a testament to his craftsmanship and skill.
Charisse Pearlina Weston: Interior Life
I spend a lot of time walking through New York and often find myself in front of condo construction sites, gawking at high-end living exemplified by floor-to-ceiling expanses of glass.
New Beginning: A Conversation with Ernesto Neto
Ernesto Neto’s surprising, multi-part installation at Le Bon Marché, a department store in central Paris, was inspired by the story of Adam and Eve—before and after the bite into the apple. Reweaving the Genesis narrative with other mythologies, he creates an immersive and interactive meditation on life and our place in the natural world.
Elina Autio
HELSINKI Forum Box After years of producing wall-dependent compositions—works that resemble hangings, misaligned Venetian blinds, wooden screens, and rows of exposed pipes—Elina Autio has turned to the floor. While the departure seems unexpected, these new works also recall furnishings, specifically small tables or beds, and closely relate to earlier projects.
